Skip to main content
Anti-Electra: The Radical Totem of the Girl (Univocal)

Anti-Electra: The Radical Totem of the Girl (Univocal)

Current price: $23.00
Publication Date: June 11th, 2019
Publisher:
Univ Of Minnesota Press
ISBN:
9781517907136
Pages:
216

Description

A close examination of the relationship between media, art, and the “Electra complex”

The feminist counterpart to Deleuze and Guattari’s Anti-Oedipus, Anti-Electra is a philosophy of “the girl” as a model of contemporary transgressive subjectivity. Elisabeth von Samsonow asserts that focusing on the girl’s escape from the Oedipus complex leads to a fundamental shift in our most common views on media and art.

Presenting an interpretation of contemporary technics, Anti-Electra argues that technology today encompasses Electra’s gadgets and toys. According to von Samsonow, satellite drive technologies such as wireless telephones, WLAN, and GPS echo the “preoedipal constellation” that the girl specializes in. And with the help of the girl, the cartography of overlapping zones between humankind and animals, as well as between humankind and apparatuses, is redesigned through what the book holds as a “radical totemism.” Anti-Electra ultimately offers a new view on gender, the contemporary world dyed by symbolic girlism, and the (universal) girl in critical dialogue with media, ecology, and society.

About the Author

Elisabeth von Samsonow is an artist, writer, curator, and professor of philosophical and historical anthropology at the Academy of Fine Arts Vienna. Two of her books have been translated into English: Transplants and Epidemic Subjects—Radical Ontology. 

Anita Fricek is an Australian artist based in Vienna. 

Stephen Zepke is an independent researcher and author of Sublime Art: Towards an Aesthetics of the Future. 

Praise for Anti-Electra: The Radical Totem of the Girl (Univocal)

"Anti-Electra constitutes an occasionally uncanny and always fascinating work, which advocates a constellational, schizogamous relationality. This intellectually engaging and witty book will be of interest to art historians, scholars with interests in media studies, and those who are open to be challenged by an exciting feminist revaluation of ancient myths and their relation to the present."—Identities